Colourising the front of the Superordinary art space at 62 Mary Street, the artwork is a nod to the early response of lockdowns from the COVID-19 pandemic, with several pieces of furniture and textures spread along the walls.
It looks at the distorted social media lens we use to evaluate one's happiness and success. The painting tries to capture a perfect selfie set for social media, misleading the viewer about the reality of the situation. In actuality, the image is captured during the COVID-19 Pandemic. In isolation, the figure wears one of her best dresses in the comfort of her home, unable to work, go out, or socialise. With poor lighting, not an ideal photography situation, the painting is manipulated to look beautifully elegant, although her future is uncertain.
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